Blackmagic Design Atem Television Studio Pro Hd Review
Product switchers have evolved from their predecessors in that it no longer takes great technology skill to fix up and operate the unit. Blackmagic Blueprint has released the ATEM Television Studio Pro HD alive production switcher, which looks and functions much similar switchers in the old days, but with viii inputs that mix HDMI, SDI, SD and HD resolution inputs. Consumers and professionals at present accept a switcher that does information technology all on location or in the studio.
FEATURES
Straight out of the box, the ATEM Television Studio Pro Hard disk drive is something to curiosity. No longer are black outburst, sync or video cables of identical length needed to mix (or time) between video sources. Having installed a video switcher in our university about 8 years ago, information technology took the better office of several days to time all of the inputs and add additional Hard disk component converter boxes so our three loftier-definition cameras would all function with a switcher that only came with 1 HD input.
Weighing in at about ix pounds, the ATEM Television Studio Pro HD is set to use right from the box (if you supply an Air-conditioning cable). The rear panel has a DC input if you want portability on location. The organisation has iv HDMI inputs (switcher keys one through 4) and iv HD/SDI BNC connections (switcher keys five through eight), which allows yous to mix SD and HD inputs. I would like to dwell on this feature for a moment and savor information technology—you may mix input sources into the switcher without reprogramming, re-timing, or getting additional components. Right out of the box this switcher seems to work in any situation. In my listen, that's a nifty leap forward.
An HDMI or a SDI/BNC output (multi-view) displays all camera sources equally well every bit your preview and program on one monitor divided into quadrants. Two XLR inputs ingesting analog audio are to the right of a quarter-inch headphone and quarter-inch microphone jacks. In addition, ports include RS-422, Ethernet and a USB two.
The switcher also supports NTSC, PAL, 720p 1080i and 1080p with multiple frame rates from 23.98 to 59.94 (I'm withal amazed by this). An auxiliary output is assignable and allows you to send an boosted program output (or input) to another source other than your multi-view monitor like a projector or large screen display.
The front end panel of the ATEM Television Studio Pro Hard disk looks deceivingly complicated, but everything is clearly labeled. Eight preview and plan buttons are assigned to each of your video inputs, with cut, mix, wipe and dip transitions. Thirty-six wipe patterns are attainable by simply pressing the respective buttons and the Digital Video Effects Processor (DVE) helps with boosted built-in transitions.
The upstream keyer features chroma central blueish or dark-green, a luminance fundamental, a linear fundamental and 18 pattern keys. The downstream keyer makes calculation bugs, logos or titles effortless.
10 audio channels may be controlled with the built-in sound mixer and twenty graphic files may be stored in the Media Role player. The slider allows smooth transitions between inputs and a track ball helps make intricate positioning a breeze. Lastly, a minor t3-inch LCD monitor displays the plan output directly on the switcher itself.
IN USE
Equally mentioned earlier, our academy recently transitioned into a full 1080p TV studio with a traditional (expensive) switcher and20-inch LCD monitors for each of our iii Hitachi 6000 cablevision and 1080p 48-inch preview and program monitors. Disconnecting the fiber optic cablevision from each camera and using an SDI cable to go from the camera to the ATEM Television Studio Pro HD, we had 3 functioning cameras in less than a minute on inputs five, half-dozen, and seven—no fuss.
Four additional cameras could be added via the HDMI connections. Since we take merely one Blackmagic URSA 4.6K Mini photographic camera, it resided in input ane and the three remaining HDMI ports worked with our DSLRs. An HDMI cable from the multi-view output displayed all of the cameras as well equally preview and program on one of our Sony Bravia monitors. Once again, I didn't demand to worry that the Blackmagic Blueprint, Hitachi 1080p cameras, or DSLRs were of different types—they all played extremely well together.
Our students immediately flocked to this new add-on in our control room. The many buttons, red and dark-green colored lights, and multiple transition types were a wow factor for them. As well, seeing the multiview brandish was an improvement rather than trying to watch six unlike monitors spread across the room. I haven't seen this much of a reaction since we transitioned from CRT monitors to flat screen.
One feature I did not have a chance to use is the software control of the switcher for PC and Mac. An included SD card contains this vital information.
I tin can see this unit of measurement being relegated to our sporting events where live remote broadcast is necessary. Taking 1 of our portable Mac or PCs along volition assist our students' ability with a much higher end result considering of live switching rather than editing all of the footage after the consequence with almost no turnaround time.
With very trivial ready-upwardly time and all cameras talking to each other (with audio), you just demand something to actually switch. If nosotros had more than Blackmagic Blueprint cameras, there are multiple other features this type of set-up could exercise.
SUMMARY
The perfect, inexpensive switcher for studio or remote location that allows mixing multiple sources and formats without an issue.
FAST FACTS
Application
The ATEM Television Studio Pro Hard disk drive functions as an Ac or DC switcher, audio mixer and DVE. All you demand are the cameras.
Key Features
Multi-format input, AC/DC operation, built in LCD screen, multi-view output, HDMI and SDI inputs, audio mixer, microphone input, DVE, upstream and downstream keyer, rack or desktop mountable and media thespian.
Price
$two,295.00
Contact
Blackmagic Design
408.954.0500
info-usa@blackmagicdesign.com
www.blackmagicdesign.com
Chuck Gloman is an Associate Professor and Chair of the Boob tube/Film Department at DeSales University. He may be reached chuck.gloman@desales.edu.
Source: https://www.tvtechnology.com/equipment/review-blackmagic-design-atem-television-studio-pro-hd
0 Response to "Blackmagic Design Atem Television Studio Pro Hd Review"
Post a Comment